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terug op Ithaka
whose walls project scenes One can enter
and A Pin's Fee (1988)
en deinzen er niet voor terug stelling te nemen
The poems written by Tisdale’s students were published as Betcha Ain’t: Poems from Attica in 1974
Cunt-Ups wilde dood terug op IthakaDodie Bellamy CUNT UPS is an explosion of textual sexuality that resists principles of formal ordering, is polyvalent in its voice and range, and as perverse in its sentence construction as its content. Its 'setting' is the mediated exchange itself, the fractured articulation of 'a female body who has sex writing about sex.' While the title might imply a gendered site of production, it also suggests a sexual textual violence that is more than a mere
